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Difference between revisions of "She Loves You"

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'''The Beatles performing ''She Loves You'' live on German TV, 1964.'''
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'''The Beatles performing ''She Loves You'' live on German TV, 1963.'''
  
 
[[Category:Singles]][[Category:Songs]][[Category:Songs by Lennon & McCartney]][[Category:The Beatles' Second Album]]
 
[[Category:Singles]][[Category:Songs]][[Category:Songs by Lennon & McCartney]][[Category:The Beatles' Second Album]]

Latest revision as of 19:55, 3 June 2014

“She Loves You”
“She Loves You” cover
Single by The Beatles
B-side "I'll Get You"
Released 23 August 1963 (UK)
16 September 1963 (US)
Format 7"
Recorded Abbey Road Studios
1 July 1963
Genre Rock
Length 2:17
Label Parlophone R5055 (UK)
Swan 4152 (US)
Writer(s) Lennon/McCartney
Producer George Martin
The Beatles singles chronology
"From Me to You"/"Thank You Girl" (1963) "She Loves You" / "I'll Get You"
(1964)
"I Want to Hold Your Hand" / "This Boy" (UK 1963)
-
"I Saw Her Standing There" (US 1964)
We wrote that two days before we recorded it, actually.

—John Lennon, 1963

John and I wrote it together. We were in a van up in Newcastle somewhere, and we'd just gone over to our hotel. I originally got an idea of doing one of those answering songs, where a couple of us sing about 'she loves you' ...and the other one sort of says the 'yes, yes' bit. You know, 'yeah yeah' answering whoever is saying it. But we decided that was a crummy idea anyway. But we had the idea to write a song called 'She Loves You' then. And we just sat up in the hotel bedroom for a few hours and wrote it, you know.

—Paul McCartney, 1963

'Yeah.' That's sort of the main catch phrase from 'She Loves You.' We'd written the song, and then suddenly realized we needed more... so we added 'yeah, yeah, yeah' and it caught on.

—John Lennon, 1963

We arrange them in the studio normally, you know. We get a basic idea, because you write a song and you get a sound in your head that you think it's gonna sound like. And it usually turns out different, you know. We've given up trying to plan it too much before we go in. None of us can read music. Our A&R man (George Martin) can read music, so sometimes he'll say 'That note's just... it doesn't work, you know. You can't have it.' And we have to go into detail with the piano and everything and work it out and say 'It DOES work. You know, we're singing it. It works.' And sometimes he's right, sometimes he's wrong, you know. (giggling) But it usually all works out in the end.

—John Lennon, 1964

It was written together (with Paul) and I don't remember how. I remember it was Paul's idea-- instead of singing 'I love you' again, we'd have a third party. The 'Woooo' was taken from the Isley Brothers 'Twist And Shout,' which we stuck into everything.

—John Lennon, 1980

Occasionally, we'd overrule George Martin, like on 'She Loves You,' we end on a sixth chord, a very jazzy sort of thing. And he said, 'Oh, you can't do that! A sixth chord? It's too jazzy.' We just said, 'No, it's a great hook, we've got to do it.'

—Paul McCartney, 1982

We rehearsed the end bit of 'She Loves You' and took it to George. And he just laughed and said, 'Well, you can't do the end of course... that sixth... it's too like the Andrew Sisters.' We just said, 'Alright, we'll try it without,' and we tried it and it wasn't as good. Then he conceded, 'You're right, I guess.' But we were both very flexible. We would listen to George's ideas too, because he was a producer and a musician, and he obviously knew what he was talking about. There was good to-and-fro. We loved that bit, and we rehearsed it alot. John and I wrote that in a hotel room, on twin beds during an afternoon off-- I mean, God bless their little cotton socks, those boys WORKED! Here I am talking about an afternoon off, and we're sitting there writing! We just loved it so much. It wasn't work.

—Paul McCartney, 1988

The Beatles performing She Loves You live on German TV, 1963.

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