Helter Skelter
From Beatles Wiki - Interviews, Music, Beatles Quotes
| "Helter Skelter" | ||
|---|---|---|
| Song by The Beatles | ||
| Album | The Beatles (The White Album) | |
| Released | 22 November 1968 (UK) 25 November 1968 (US) |
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| Recorded | Abbey Road Studios 9 September 1968 |
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| Genre | hard rock | |
| Length | 4:30 (Stereo LP) 3:38 (Mono LP) |
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| Label | Apple Records | |
| Producer | George Martin | |
| The Beatles (The White Album) track listing | ||
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Side one
Side two
Side three
Side four
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| “Helter Skelter” | |||||
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| Single by The Beatles | |||||
| A-side | Got To Get You Into My Life | ||||
| Released | 31 May 1976 (U.S.) | ||||
| Format | 7" | ||||
| Label | Capitol 4274 (US) | ||||
| Producer | George Martin | ||||
| The Beatles singles chronology | |||||
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Contents
Quotes
| “ | Umm, that came about just 'cuz I'd read a review of a record which said, "And this group really got us wild, there's echo on everything, they're screaming their heads off." And I just remember thinking, "Oh, it'd be great to do one. Pity they've done it. Must be great--really screaming record." And then I heard their record and it was quite straight and it was very sort of sophisticated. It wasn't rough and screaming and tape echo at all. So I thought, "Oh, well, we'll do one like that, then." And I had this song called "Helter Skelter", which is just a ridiculous song. So we did it like that 'cuz I like noise. | „ |
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—Paul McCartney, 1968 |
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| “ | Helter Skelter means confusion. Literally. It doesn't mean any war with anyone. It doesn't mean that those people are going to kill other people. It only means what it means. Helter Skelter is confusion. Confusion is coming down fast. If you don't see the confusion coming down fast, you can call it what you wish. It's not my conspiracy. It is not my music. I hear what it relates. It says, 'Rise!' It says 'Kill!' Why blame it on me? I didn't write the music. I am not the person who projected it into your social consciousness.
Charles Manson, 1970 |
„ |
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—Charles Manson, on trial for mass-murder, 1970 |
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| “ | We used to have a laugh about this, that or the other, in a light-hearted way, and some intellectual would read us, some symbolic youth generation wants to see something in it. We also took seriously some parts of the role, but I don't know what Helter Skelter has to do with knifing someone. I've never listened to it properly, it was just a noise. | „ |
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—John Lennon, Rolling Stone, 1970 |
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| “ | That's Paul completely. All that [Charles] Manson stuff was built 'round George's song about pigs and this one... Paul's song about an English fairground. It has nothing to do with anything and, least of all, to do with me. | „ |
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—John Lennon, 1980 |
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| “ | The Who had made some track that was the loudest, the most raucous rock 'n' roll, the dirtiest thing they'd ever done. It made me think, "Right. Got to do it." I like that kind of geeking up. And we decided to do the loudest, nastiest, sweatiest rock number we could. | „ |
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—Paul McCartney, 1985 |
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| “ | I was in Scotland and I read in Melody Maker that Pete Townshend had said: 'We've just made the raunchiest, loudest, most ridiculous rock 'n' roll record you've ever heard.' I never actually found out what track it was that The Who had made, but that got me going; just hearing him talk about it. So I said to the guys, 'I think we should do a song like that; something really wild.' And I wrote Helter Skelter.
You can hear the voices cracking, and we played it so long and so often that by the end of it you can hear Ringo saying,'I've got blisters on my fingers'. We just tried to get it louder: 'Can't we make the drums sound louder?' That was really all I wanted to do - to make a very loud, raunchy rock 'n' roll record with The Beatles. And I think it's a pretty good one. |
„ |
| “ | Charles Manson interpreted that Helter Skelter was something to to with the four horsemen of the Apocalypse. I still don't know what all that stuff is; it's from the Bible, Revelation - I haven't read it so I wouldn't know. But he interpreted the whole thing - that we were the four horsemen, Helter Skelter was the song - and arrived at having to go out and kill everyone. | „ |
| “ | I was using the symbol of a helter skelter as a ride from the top to the bottom - the rise and fall of the Roman Empire - and this was the fall, the demise, the going down. You could have thought of it as a rather cute title but it's since taken on all sorts of ominous overtones because Manson picked it up as an anthem, and since then quite a few punk bands have done it because it is a raunchy rocker. | „ |
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—Paul McCartney, Many Years From Now by Barry Miles |
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Lyrics
When I get to the bottom, I go back to the top of the slide,
Where I stop and turn and I go for a ride,
Till I get to the bottom and I see you again!
Yeah, yeah, yeah!
Do you, don't you want me to love you?
I'm coming down fast but I'm miles above you!
Tell me tell me come on tell me the answer,
And you may be a lover but you ain't no dancer!
Go helter skelter!
Helter skelter!
Helter skelter!
Yeah!
I will you, won't you want me to make you?
I'm coming down fast but don't let me break you!
Tell me tell me tell me the answer,
You may be a lover but you ain't no dancer!
Look out!
Helter skelter!
Helter skelter!
Helter skelter!
Yeah!
Look out cause here she comes!
When I get to the bottom, I go back to the top of the slide,
Where I stop and turn and I go for a ride,
Till I get to the bottom and I see you again!
Yeah, yeah, yeah!
Well, will you, won't you want me to make you?
I'm coming down fast but don't let me break you!
Tell me tell me tell me the answer,
You may be a lover but you ain't no dancer!
Look out!
Helter skelter!
Helter skelter!
Helter skelter!
Yeah!
Helter Skelter!
She's coming down fast!
Yes she is!
Yes she is coming down fast...
Musicians
Paul McCartney: vocals, lead guitar, bass John Lennon: backing vocals, lead guitar, bass, tenor saxophone George Harrison: backing vocals, rhythm guitar Ringo Starr: drums Mal Evans: trumpet
